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Gill Sans for MTI
Eric Gill was a versatile and brilliant talent. In the 1920s he turned his creativity to type design. In 1928, Gill designed the Gill Sans® typeface for Monotype. The Gill Sans design has stood the test of time and is still considered a design staple for creative professionals. Monotype Imagings Gill Sans for MTI interpretation includes subtle modifications of the original Gill Sans design.
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Times New Roman
In 1929, Monotypes Stanley Morison was asked to develop a new typeface for the Times of London newspaper. Working with Victor Lardent, a Monotype designer, the Times New Roman® design was born. Today, the typeface is used daily by millions as part of the Microsoft® Windows® operating system.
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Nimrod
In the late 1970s, Monotype Imaging’s Robin Nicholas designed the Nimrod® typeface, which has been used extensively in newspapers. The typeface name was inspired by RAF Nimrod reconnaissance aircraft.
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Wile Roman
The Wile Roman typeface was named after Don Wile, a former Compugraphic executive who inspired the creation of a dedicated type division within the company to serve the needs of OEM customers and creative professionals.
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Mundo Sans
The Mundo Sans design is a distinctive humanistic sans typeface created by Monotype Imagings Carl Crossgrove.
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ITC Souvenir Bold Italic
The world renowned typeface designer, Ed Benguiat, first saw the single-weight design of the ITC Souvenir® typeface in an old American Type Founders catalog, which inspired him to add a range of weights to create a full typeface family.
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ITC Officina Serif
The ITC Officina® Serif typeface was first released in 1990 as a paired family of serif and sans serif faces in two weights with italics. The family was intended for use in business correspondence.
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Soho
The Soho design, created by Monotype Imagings Sebastian Lester, is a 21st century interpretation of a 19th century type design theme. Slab serif typefaces were originally drawn as advertising display designs in the middle to late 1800s. There is something inherently solid and reliable-looking about this style of type. Like most slab serifs, the Soho design looks best in its heftier weights. They can create headlines and display copy that draw attention and instill respect.
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